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Physical Science

(This is an excerpt from a University Of Metaphysical Sciences course at www.umsonline.org, please feel free to visit the school website)

 

Everybody knows the story of Sir Isaac Newton and the apple. He created the term “gravity” after an apple fell on his head from a tree. Teachers love to tell it, and we all remember it, long after we forget the chemical symbol for table salt (NaCl) or what a logarithm is. And why do we remember it? Ask yourself who discovered that the moon reflects the sun, rather than giving off its own light? Or that the earth spins on its axis? Copernicus? Kepler? Galileo? Why do we not remember these important discoveries so well?

Simply, we like the logical narrative of the apple story. We can “see the mystery” if you will. Sir Isaac Newton sits under the tree. The apple falls. Aha! There must be gravity. It’s so simple, anyone should have thought of it. Anyone could have thought of it. Even we could have seen that moment and made the discovery ourselves. In his book, Self Reliance, Ralph Waldo Emerson says, “In the work of every genius we recognize our own rejected thoughts,” and to a great extent, that seems to hold true. The discovery of gravity anecdote lends itself to our facile understanding and comprehension. However, look up in the sky and it is not so apparent that the earth is moving and that the sun is not. The signs are there to read, for anyone with the interest, aptitude and inclination. But that “Aha” moment is not nearly so transparent, and so it mystifies, confounds or perhaps even intimidates us. Better Newton and the apple, something we can almost share credit for in our imaginative subconscious, than a bunch of complex mathematics to prove something intangible to the naked eye.

The “Aha!” moment is what happens when a creative idea is born. Imagine you saw the apple fall. You’ve seen hundreds of apples fall. That’s the way of it. That’s the natural order of things. Apples fall. Leaves fall. Rain falls. Everything falls. Do you really all of a sudden feel inspired by a realization that there is a powerful physical force exerting itself upon all the objects of earth that keep them from flying off into space? Hardly. We pick up the apple and go on about things. But it’s that “Aha!” moment that we long for, perhaps even lust after. We want it to be that simple as we imagine with Newton and the apple. We want to have it again and again at will, without even thinking about it. If it is not so easy as we thought, then how do we get it?

“Everything is getting to be inherited these days,” bemoans Frank Barron in Creators On Creating (1997). There is no scientific evidence that creativity is inherited. However, in a more mundane meaning of “inherited,” one may expect that those who are fostered by or live in a community of highly creative people will have a greater predisposition to accessing their own creativity. They will have both experience and exposure in the norm-rejecting, rule-challenging thinking that fosters creativity.

When we find ourselves challenged creatively, through either a problem to be solved or an activity to be accomplished, we may find that it is the moment of “insight” that becomes impossible to proscribe or formulate. The inciting event, the “Aha” moment that gives us either a well-ordered path to take, a clear image of the finished product, or an ideal solution to work toward. This is, of course, somewhat due to the internal struggles in patterns of thinking. Our conscious selves struggle to have concrete, linear and verbal assurities that, for the most part in a material worldview, represent order and action. We rebel against the “intangible” nature of instinctive leaps, emotional processing and free form associations because, for the most part, it is elusive and seemingly unexplainable. Creativity steps outside the norm, bringing in something new.

Science is an arrogant thing, sometimes. It was as arrogant when doctors and barbers were the same profession as it is now. The physician who employed leeches to rid the blood of foul humours was as certain of his science as is the present day physician. The wisest men of their day trembled to sail west from Europe because of the danger of dropping off a flat earth. The point is, Science presumes to know and explain everything. That which it can’t explain, it theorizes over. And, if looked at comprehensively, Science would be found to be, at any given moment in historical time, at least 80% wrong, according to the discoveries and knowledge that come after. If we adopt the view that Science, as we currently understand it, maintains this record based upon knowledge that will come in our future, than we should use it intelligently and skeptically, especially in dealing with the realms of thinking and consciousness of which creativity is a part.

For the how’s and why’s of creativity, the scientific rationale is that creativity involves thinking, which is an activity of the brain. Therefore, it must become understandable through the understanding of the brain and its physical functioning. As of yet, however, the brain has remained a monumental mystery. We have seen the spheres and labeled the lobes. By pricking needles and electrodes here and there, now we know that certain parts of the brain do certain things. A certain area “X” seems to be involved somehow with speech, or an area “Y” in the moving of arms and legs, and so forth. Then again, people with damaged brains have been known to re-learn certain skills, indicating that other parts of the brain can adapt and take over.

Continued in part 2. Click Here.

Biography of Isaac Newton, a picture of sir Isaac Newton : the history of and the life of the great invention, through short quote unlocked the fact gift of invention.